Stereolab

 

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Vicar Street, Dublin, 25 June 2019

Tim Gane, guitarist and one half of the driving creatives forces behind Stereolab ambles across stage and mischievously plonks a key on one of the vintage keyboards around the stage. Returning for an encore minutes later, Laetitia Sadier, the other half, notices him repeating the move and harries him back over to ‘his’ half of the stage. She is the singer and the face of Stereolab, who have earlier been casually described by the support act Tomaga as ‘the best band in the world.’ Last night it did not seem like an outlandish claim.

This was my first Stereolab concert for at least 15 years. Since they suspended operations their reputation has grown and grown. Would-be listeners can struggle to find a way in; lucky for me I never had this problem. My brother came home from town one day with Peng!, their first album, and I was hooked from there. With him and friends they were a soundtrack to my teenage and university years. Surrealchemist late at night in student digs in Leeds, train trips over the Pennines to see them in Manchester and Liverpool and, best of all, ridiculously sweaty concerts in London. Always in the summer.

All that said, I wasn’t quite sure whether this concert was going to be up my street. The last few albums weren’t quite as krautrock-and-chord-x with thrillingly radical lyrics – often in French – as earlier efforts, and I suspected I’d find myself enjoying it but willing something unlikely off an earlier album to be played only for everyone else to cheer when French Disco gets a crowd-pleasing airing.

There was no need to worry. Laetitia walked on stage to a smattering of cheers, then shushed the crowd as she was tuning up. Around 800 Dubliners did as they were told. Then she came back on again and made a more fitting entrance with the rest of the band. From that moment on, she, Tim and everyone else had the show in their grip, and walked unpredictably through their back catalogue.

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The whole show was one long highlight. It felt like becoming reacquainted with something special that you’d forgotten you didn’t know in the first place why it was so. Anamorphose sounded like the soundtrack to a long dream. After Ping Pong Laetitia checks everyone knows the anthem to Marxist economic theory isn’t ‘just a jolly pop song’. French Disco did get an airing, but in the same ‘let’s get it out the way’ spirit it used to be. Crest, followed by Lo Boob Oscillator sounded so good it made me a bit sad for every other band that have come since them and have to try to be better.

In all of this there’s Tim, rocking out and driving what they called The In Sound From Way Out. Andy on drums pounding out motorik one minute and jazzy grooves the next, and the keyboards and bass adding up to a noise all their own. During the wig-out at the end of Lo Boob (some people in the crowd experiencing such a racket for the first time!) the bass appears to pick out the rhythm from We’re Not Adult Oriented, though I could have just been imagining it.

While in some ways this was noticeably a comeback – while Laetitia appears unaffected by time, Tim and the rest of the band have aged, and no new music was played – in others this was also a continuation of something Sadier herself struggled to describe: ‘a project…a partnership’, thanking the crowd for remembering. There never was anything so magnificent as Stereolab really going for it. It feels important for the future of humanity that they continue to for some time to come.

 

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